Carl Larsson
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Carl Larsson's Oil Paintings
Carl Larsson Museum
May 28, 1853–January 22, 1919. Swedish painter.
Carl Larsson

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HEINTZ, Joseph the Elder
Adonis Parting from Venus - Copperplate
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ID: 63047

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HEINTZ, Joseph the Elder Adonis Parting from Venus - Copperplate


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HEINTZ, Joseph the Elder

Swiss/German painter (b. 1564, Basle, d. 1609, Praha).   Related Paintings of HEINTZ, Joseph the Elder :. | Adonis Parting from Venus s | The Fall of Phaeton w | The Rape of Proserpina s | Crucifix with Mary | Herrick, Robert |
Related Artists:
Andrea del Sarto
Italian High Renaissance Painter , 1486-1530 Italian painter and draughtsman. He was the leading painter in Florence in the early years of the 16th century, and, under the influence of Leonardo da Vinci, Fra Bartolommeo, Michelangelo and Raphael, he elaborated and perfected the classical style of the High Renaissance. In the second decade of the 16th century his art anticipated aspects of Mannerism, while his direct, immediate works of the 1520s became important models for the more naturalistic Tuscan artists of the Counter-Reformation. He painted mainly religious works, including both altarpieces and major cycles of frescoes. His portraits, distinguished by a dreamily poetic quality,
Philipp Peter Roos
(later surnamed Rosa di Tivoli; 1651-1706), was a German Baroque painter. He was born in Frankfurt am Main and learned to paint from his father, the landscape painter Johann Heinrich Roos.He was the brother of the painter Johann Melchior Roos, who briefly worked with him in Italy. As a young man, he painted in the style of his father. He was called to paint for Charles I, Landgrave of Hesse-Kassel, who liked him so much, he gave him a sum of money to travel to Rome with,which he did in 1677. He became a member of the Bentvueghels with the nickname "Mercury" and earned money making small paintings and sketches for tourists. He fell in love with the daughter of Giacinto Brandi, whom he later married. They lived in a large house in Tivoli, near Rome, whence his surname. In Tivoli, they kept a menagerie of various animals so Roos could draw from live poses. This house was called the "Noah's Ark" by their friends. In his Italian style, he painted life-size figures and animals in a broad manner and a heavy brown tone.
nicolaes eliasz pickenoy
1590-1654






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